Basic 8 · Creative Arts and Design · Shading and Colouring

Colouring Techniques, Designs from Lines and Shapes, and Ghanaian Dance Types

In this topic you will use colouring media and techniques, create designs from lines, simple shapes and forms, and identify Ghanaian dance types and the contexts in which they are performed.

By the end of these notes you should be able to:

  • Use colouring media and techniques such as blending and colour mixing
  • Create designs from lines, simple shapes and forms
  • Identify Ghanaian dance types and their contexts of performance

What you already know

  • Drawing tools and the elements of design

Copy everything that has a blue line on its left into your notebook. The other parts are for reading.

Lesson 1

Strand
Design
Sub-strand
Shading and Colouring
Indicator
B8.1.2.1.1 – Explore available manual and digital tools materials and techniques for drawing shading and coloring to create designs from lines simple shapes and forms

Introduction

Colour brings drawings to life. A grey sketch of a market becomes bright and lively when colour is added carefully.

1. Colouring Media

Colouring media and their qualities
MediumQuality
coloured pencilsprecise, easy to layer, good for detail
oil pastelsbright, creamy, blend with fingers
chalk pastelssoft, powdery, easy to smudge
crayonsbold, waxy, good for large areas
poster colouropaque paint that covers well
watercolourtransparent paint used in thin washes

2. Colouring Techniques

Techniques
TechniqueHow it is done
flat colourapplying one even colour to an area
layeringbuilding colour in light layers
blendingmixing colours smoothly where they meet
gradationmoving gradually from light to dark or one colour to another
hatching in colourusing lines of colour to show tone
washthin, watery paint spread over an area
A box of oil pastels in many colours
Figure 1: Oil pastels Make a colour chart showing flat colour, layering and blending.

3. Colour Mixing

Primary colours (red, yellow, blue) mix to make secondary colours (orange, green, violet). Adding white makes a tint (lighter), adding black makes a shade (darker), and adding grey makes a tone. Mixing complementary colours, such as red and green, produces browns and greys useful for shadows.

4. Colour Harmony

Colours that look good together create harmony. Analogous colours (neighbours on the colour wheel, such as yellow, yellow-green and green) look calm. Complementary colours (opposites, such as blue and orange) create strong contrast. Ghanaian kente uses contrasting gold, green and red to create vibrant designs.

5. Choosing the Right Medium

Choose a colouring medium according to the task. For fine details in a small illustration, coloured pencils work best. For bright posters seen from far away, poster colour or markers give strong colour. For soft, blended skies or skin tones, chalk pastels or watercolour are suitable. Testing a medium on scrap paper first helps you choose wisely.

New words

blending
Mixing colours smoothly where they meet.
tint
A colour lightened with white.
shade
A colour darkened with black.
colour harmony
A pleasing combination of colours.

Summary

  • Colouring media include coloured pencils, pastels, crayons, poster colour and watercolour.
  • Techniques include flat colour, layering, blending, gradation and washes.
  • Colour mixing makes tints, shades and secondary colours, and harmony comes from analogous or complementary schemes.

Class activity: Colour Technique Chart

  1. Divide a page into six boxes.
  2. Show one colouring technique in each box.
  3. Label the technique and the medium used.

You need: Pencils, Drawing paper, Printed photographs of Ghanaian stools, Baskets

Exercises

Answer in your exercise book first, then check your answers.

  1. 1. Adding white to a colour makes a…

    • A. tint
    • B. shade
    • C. tone
    • D. primary
    Show answer
    Answer: tintLighter.
  2. 2. Which medium is transparent and used in thin washes?

    • A. watercolour
    • B. poster colour
    • C. crayon
    • D. oil pastel
    Show answer
    Answer: watercolourThin layers.
  3. 3. Blending mixes colours smoothly.

    • A. True
    • B. False
    Show answer
    Answer: TrueSmooth transition.
  4. 4. A colour darkened with black is a ______.

    Show answer
    Answer: shadeDarker.
  5. 5. Describe two colouring techniques.

    Show answer
    Answer: Layering builds colour in light layers; blending mixes colours smoothly where they meet.Any two.
  6. 6. Explain how complementary colours create contrast in kente.

    Show answer
    Answer: Opposite colours such as red and green placed side by side make each other look brighter.Contrast.

Lesson 2

Strand
Visual Arts
Sub-strand
Drawing
Indicator
B8.2.1.1.1 – Explore media and techniques in drawing from direct observation/ memory and imagination print making and weaving to express own views in visual artworks to encourage recording and research skills

Introduction

Many of the best designs begin with simple lines and shapes. A circle, a triangle and a few curved lines can become a logo, a fabric print or a symbol.

1. Building Designs

Lines can be straight, curved, zigzag or broken. Shapes can be geometric (circles, squares, triangles) or organic (leaves, waves). Forms are three-dimensional versions of shapes, such as spheres and cubes, shown by shading. Combining and repeating these creates designs.

2. Developing a Motif

  1. Choose a simple object, such as a leaf or a drum.
  2. Simplify it into its basic lines and shapes.
  3. Repeat, rotate or reflect the simplified shape to make a motif.
  4. Arrange motifs in a pattern: block repeat, half-drop, border or all-over.
  5. Add colour to create emphasis and harmony.
A chart of adinkra symbols with their names
Figure 2: Adinkra symbols Simplify an object into a motif and arrange it in a pattern.

3. Abstraction

Abstraction: Simplifying or changing a real object into lines, shapes and colours that may not look exactly like the original.

Adinkra symbols are good examples of abstraction. Dwennimmen (ram's horns) uses curved lines to suggest horns; Sankofa may be shown as a bird looking back or as a heart-like shape. Abstraction gives designs strong, memorable forms.

4. Using Designs

Designs made from lines and shapes are used for logos, posters, textile prints, wall decorations, book covers and pottery. A good design is simple, balanced and suited to its purpose. Test your design by imagining it on a T-shirt, a signboard or a cloth.

New words

motif
A repeated unit in a design.
abstraction
Simplifying real objects into lines and shapes.
geometric shape
A regular shape such as a circle or square.
logo
A symbol used to represent an organisation.

Summary

  • Designs are built from lines, shapes and forms that are combined and repeated.
  • A motif is developed by simplifying an object and arranging it in a pattern.
  • Abstraction, as in adinkra symbols, creates strong designs for many uses.

Class activity: Motif Design

  1. Choose a natural or manmade object.
  2. Simplify it into a motif.
  3. Repeat it in a half-drop pattern and colour it.

You need: Local calabash still-life object, Drawing paper, Charcoal pencils

Exercises

Answer in your exercise book first, then check your answers.

  1. 1. A repeated unit in a design is a…

    • A. motif
    • B. logo
    • C. frame
    • D. tone
    Show answer
    Answer: motifPattern unit.
  2. 2. Simplifying a real object into lines and shapes is…

    • A. abstraction
    • B. observation
    • C. shading
    • D. printing
    Show answer
    Answer: abstractionSimplification.
  3. 3. Adinkra symbols are examples of abstract designs.

    • A. True
    • B. False
    Show answer
    Answer: TrueSimplified forms.
  4. 4. A symbol representing an organisation is a ______.

    Show answer
    Answer: logoBrand mark.
  5. 5. List the steps in developing a motif.

    Show answer
    Answer: Choose an object, simplify it, repeat or rotate it, arrange it in a pattern, add colour.Steps.
  6. 6. Why is abstraction useful in design?

    Show answer
    Answer: It produces simple, strong and memorable forms that are easy to reproduce and recognise.Clarity.

Lesson 3

Strand
Performing Arts (Dance & Drama)
Sub-strand
Media and Techniques
Indicator
B8.2.1.3.8 – Identify various Ghanaian Dance types and their context of performance

Introduction

Ghana has hundreds of dances. Some are performed for chiefs, some at funerals, some for fun and some in worship. Each dance belongs to a context.

1. Types of Dance by Purpose

Types of Ghanaian dance
TypePurposeExamples
ceremonial and royalhonour chiefs and mark state occasionsKete, Fontomfrom (Asante), Damba-Takai (Dagomba)
funeralmourn and honour the deadAdowa (Akan), Agbadza (Ewe, also social)
ritual and religiousworship gods and spiritsAkom (Akan priests), Yewe (Ewe)
recreational and socialentertainment and celebrationKpanlogo (Ga), Bɔbɔɔbɔ (Ewe), Borborbor
war and warriorshow bravery and historyAsafo dances (Fante), Atsiagbekor (Ewe)
harvest and festivalgive thanks for the harvestBamaya (Dagomba), Homowo dances (Ga)

2. Context of Performance

The context is the occasion, place, people and purpose of a dance. A dance performed in the wrong context may be disrespectful. For example, Kete is reserved for royal occasions in Asante, while Kpanlogo can be danced at parties. Many dances are performed by specific groups, such as Asafo companies or priestesses.

Drummers and dancers performing Kpanlogo
Figure 3: Kpanlogo Make a table of three Ghanaian dances, their people and their contexts.

3. Features of Ghanaian Dances

Most Ghanaian dances are accompanied by drums, bells and rattles, use call-and-response songs, and involve symbolic gestures. Dancers often move in circles or lines and respond to the master drummer, who signals changes in movement. Costumes, such as kente, batakari or raffia skirts, add meaning.

4. Preserving Ghanaian Dance

Cultural troupes, schools, the National Dance Company and festivals help keep dances alive. Learning dances from elders and performing them correctly in the right context preserves Ghana's cultural heritage for future generations.

New words

context
The occasion, place and purpose of a performance.
ceremonial dance
A dance for formal occasions such as royal events.
recreational dance
A dance for entertainment.
master drummer
The lead drummer who directs the dancers.

Summary

  • Ghanaian dances can be ceremonial, funeral, ritual, recreational, war or harvest dances.
  • Each dance belongs to a context of occasion, people and purpose.
  • Drums, call and response, symbolic gestures and costumes are common features.

Class activity: Dance Context Match

  1. Study photographs of Ghanaian dance poses.
  2. Match each dance to its type and context.
  3. Perform a short sequence from a recreational dance.

You need: Atumpan drum, Calabash rattle, Printed photographs of Ghanaian dance poses

Exercises

Answer in your exercise book first, then check your answers.

  1. 1. Kpanlogo is mainly a…

    • A. recreational dance
    • B. funeral dance
    • C. royal dance only
    • D. war dance
    Show answer
    Answer: recreational danceGa social dance.
  2. 2. Bamaya is performed mainly by the…

    • A. Dagomba
    • B. Ga
    • C. Fante
    • D. Ewe
    Show answer
    Answer: DagombaHarvest dance.
  3. 3. Kete is a royal dance in Asante.

    • A. True
    • B. False
    Show answer
    Answer: TrueCeremonial.
  4. 4. The lead drummer who directs the dancers is the ______ drummer.

    Show answer
    Answer: masterLeader.
  5. 5. Name three types of Ghanaian dance and an example of each.

    Show answer
    Answer: Ceremonial: Kete; funeral: Adowa; recreational: Kpanlogo.Any three.
  6. 6. Why is it important to perform a dance in its correct context?

    Show answer
    Answer: Dances carry cultural meanings, and performing them wrongly can be disrespectful to the people and their traditions.Respect.

Homework

  1. Ask an elder about a dance in your community and write its type, context and features.
Colouring Techniques, Designs from Lines and Shapes, and Ghanaian Dance Types – Basic 8 Creative Arts and Design Notes | sirbus